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Baum, L. Frank. The Marvelous Land of Oz. Chicago: The Reilly and Britton Co, 1904.
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On Store Windows and Cinema, Souvenirs, and the Architecture of Shopping
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Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. United Kingdom: MIT Press, 1991.
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On Valerie Solanas
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Queer Theatre, Excess, and “Radical Ambivalence”
Brecht, Stefan. Queer Theatre. United Kingdom: Bloomsbury Publishing, 2018.
Gaines, Malik. “The Radical Ambivalence of Günther Kaufmann.” In Black Performance on the Outskirts of the Left. New York: NYU Press, 2017.
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Core, Phillip. Camp: The Lie that Tells the Truth. New York: Delilah Books, 1984.
Robertson, Pamela. Guilty Pleasures: Feminist Camp from Mae West to Madonna. United Kingdom: Duke University Press, 1996.
Russo, Mary J.. The female grotesque : risk, excess, and modernity. United Kingdom: Routledge, 1995.
For Moss Rose (the lost character)
Shulamith Firestone and Her Critics; Asocial Feminism
Davis, Angela. “Rape, Racism, and the Myth of the Black Rapist.” In Women, Race, & Class. United States: Knopf Doubleday Publishing Group, 2011.
Downing, Lisa. “Antisocial Feminism? Shulamith Firestone, Monique Wittig and Proto-Queer Theory.” Paragraph 41.3 (2018): 364–379.
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Firestone, Shulamith. Airless Spaces. New York: MIT Press, 1998.
Halberstam, Jack. “Shadow Feminisms: Queer Negativity and Radical Passivity.” In The Queer Art of Failure. United Kingdom: Duke University Press, 2011.
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Cybernetic 60s, “Pneumatic Moment,” Italian Utopian Design and Architecture
Blauvelt, Andrew. Hippie Modernism: The Struggle for Utopia. Norway: Walker Art Center, 2015.
The Italian Avant-garde, 1968-1976. Germany: Sternberg Press, 2013.
Nature forever - Piero Gilardi: MAXXI - Museo nazionale delle arti del XXI secolo dal 13 aprile 2017 al 15 ottobre 2017. Italy: Quodlibet, 2017.